Reading
a book aloud is different to reading the sentences within the head. When I
began audio book production, I learned that my ‘word perfect’ novel needed yet
another redraft. There are various reasons for redrafting your novels for the
audio book market.
How
to Prepare the Audio Book Script
Authors
may redraft their novels for the audio book market for several reasons. These
might be:
Certain
sentences are too long. Reading long sentences without a breath is not only uncomfortable
for the reader, but also the listener. Who wants to hear an endless sentence
being read out to the last puff of air? Some audio book producers even edit out
the pauses, which sounds wrong. I will cut a sentence in half, shorten it or
add pauses via commas.
Tips for Audio Book Narrators
Tips for Audio Book Narrators
The
writing style sounds overformal. The Queen’s English is vital in many cases,
but over-correctness can stifle all expression from a reading. Words chosen for
the inner thoughts of characters need to sound natural, human, so that the
narrator can inject expression into the reading. Good narration is vital for
audio book sales, but even the best narrator can do little with a script that
permits no expression.
This
short excerpt from one of my audio books, Nora by Charles J Harwood narrated by Violet North uses words
to permit some expression into the heroine’s inner thoughts. Here, the main character,
Nancy has broken into the home of Vince, a celebrity playboy. As she tampers
with his security system, she suffers a flashback of the crashed limo that had
almost been her coffin.
Avoid
Repetition in a Novel
A
receptive element within the text. This might be a recurring word or recurring
sequence of words within a short space of time. It is surprising how much
repetition can sneak into a novel until it is read aloud. I had some ‘weeding’
and rewording to do when I read passages aloud, not realising I have
over-favoured words and phrases.
Character
Dialogue Sounds Strained
Discourse
within scenes do not sound convincing. This is a biggie. Watch out for
character speech that sounds forced, unnatural or simply wrong. Putting words
into a character’s mouth requires instinct and intuition. This means keeping
faith to the lingo that a person would use, so that the listener knows who is
speaking.
But
crafting dialogue also means making it sound natural. Avoid forcing dialogue
simply as a device to move the plot along. It will show up in the audio book
recording. No one wants to listen to chitchat or stilted dialogue in an audio
book.
Passages
that Go On and On
Cut,
cut and cut again if necessary. Some sentences don’t add anything or take too
long to get to the point. Reading aloud means retaining the listener’s
attention. Give the listener no reason to press ‘pause’ or worse, the off
button. Keep the novel tight and moving along so that the listener is
captivated and curious.
To
Enable Whisperync for Voice
All
corrections you make in your audio script must be reflected in your novel, or
Audible’s Whispersync cannot be enabled. The technicians at ACX listen through
your audio book recording to ensure the words are at least 98% faithful to the
Kindle book. This means anyone purchasing your book can switch between reading
and listening to it.
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